52 pages 1 hour read

Daughters of Shandong

Fiction | Novel | Adult | Published in 2024

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Part 3Chapter Summaries & Analyses

Part 3: “Hong Kong”

Part 3, Chapter 22 Summary: “Message in a Bottle”

Hai finds Hong Kong “enormous, gleaming, almost alien” (207), a blend of East and West. Once again they live in the streets. Mom sends a letter to Father in Taiwan, though she does not know the address. Hai gets the idea that she could set up a calligraphy stand and make money writing letters. Her mother tries to discourage her from doing so, but Hai thinks, “We’d made it to Hong Kong not by being demure, but by being resourceful” (209). The family are in a minority, speaking Shangdonese instead of Cantonese, and Hai hears insults for being poor and dirty.

At the docks one day, they are approached by a police officer. Hai screams at Di to run. The officer catches Hai. He is from Weihaiwei, also in the north, and tells her girls on the street are being kidnapped and sold. He wants to send her family to Mount Davis.

Part 3, Chapter 23 Summary: “Mount Davis”

Mount Davis is a refugee camp funded by the British government, which does not wish to speak out against China’s Communist government directly. All Hai knows of Britain is that “it was a wealthy country that was powerful enough to steal our land” (218).

They go to the immigration office to get ID cards and meet Mr. Chong, who misses his own two daughters still in the north. Mount Davis is “an ugly hillside warming with unwashed and unkempt men with hollow eyes and broken expectations” (220). They meet a young Nationalist soldier, Lin Biao-Wu, whose leg was amputated due to an injury in the war. They bond as fellow Northerners. Many of the displaced don’t call themselves refugees, instead considering their situation only temporary.

One day, a severe rainstorm devastates the camp, and the survivors scavenge whatever of value they can find. Di finds a writing brush, and Hai thinks again about having her own calligraphy stand.

Part 3, Chapter 24 Summary: “Closed Doors”

Mom learns it is difficult to get entry permits to Taiwan and that they must be arranged by someone already there. Mr. Chong decides to return to the mainland to find his family, and Hai envies his daughters to have a father who loves them so much. She thinks of her own father, reflecting how, “[m]y dark heart was in a constant battle between the child in me who wanted to believe the best of my father and the survivor in me who knew that I couldn’t rely on him” (232).

Mom thinks they will eventually get to Taiwan, but when Biao-Wu tries to go there, the Nationalist government sends him back because he is disabled. He manages to convey a letter they sent with him, but Hai thinks, “Taiwan must be the perfect place for Father […] a land settled by powerful men who saved only themselves and those they deemed worthy” (234).

The camp becomes more crowded, and they need to share a room. Everyone gets lice. Then they receive a letter from Nai Nai telling them not to come to Taiwan: Father has met a nurse and is going to remarry. The girls are angry, but Hai does her best to support her mother, who is devastated. Mom blames herself, but Hai asserts that it is their father who has let them down.

Part 3, Chapter 25 Summary: “Opportunities”

Hai feels that Nai Nai’s letter has at least given them closure. She thinks, “Though his definitive abandonment of us was frightening, there was also a freedom in finally burning that bridge” (240). Mom gets a job at a match factory, and the family befriends a British aid worker, Anita, who supplies Hai with paper.

Hai sets up a stand near the post office and offers lower prices to write letters. The other vendors heckle her, but Hai can buy food. As her family enjoys the treat, she reflects, “I felt proud that I could buy us a fragment of happiness” (243-4). Taiwan reduces the number of Nationalist army veterans it will take, encouraging Biao-Wu to decide to stay in Hong Kong.

Part 3, Chapter 26 Summary: “The Letter”

A letter arrives from Uncle Jian, saying he is writing again because he had not heard back from his previous letter. He offers to get the family entry permits to Taiwan. Hai can’t believe the news. She shows Di, who tries to tear the letter up. For Mom, the letter is a miracle. Di and Hai fight because Di doesn’t want to go to Taiwan. Di says, “Whatever happens, I want to do it on my own, not through the Ang charity” (255).

The family argues, and as Hai and Di fight, Hai sees Di still has one of her trading cards. She realizes she has not heard her sister sing since they left Zhucheng. Hai thinks, “Maybe Mom and I would struggle, but given enough time, the warrior girl who’d replaced my songbird sister could rule this city” (260).

Part 3, Chapter 27 Summary: “Hanging Neck”

The wealthy residents of Victoria Peak complain about the camp at Mount Davis; the refugees will be resettled at Rennie’s Mill, three hours away. The Cantonese name means Hanging Neck Ridge. Di again doesn’t want to leave Hong Kong, but Hai is starting to hope Uncle Jian can get them permits. She wants to go to school and have the small comforts they’ve been without for so long. Di wants to preserve her freedom, but freedom comes at a cost.

Mom feels she has finally done something right, saying, “At least now I know you are on your way back to the life that you deserve—the life that I want you to have” (267). Hai thinks the only life she wants is one where her mother and sisters are happy.

Part 3, Chapter 28 Summary: “Refugee Government”

In June 1950, during the Dragon Boat Festival, a group of marchers comes through shouting Communist slogans. The residents of Mount Davis, Nationalist sympathizers, attack them. Days later, the residents are relocated to Rennie’s Mill.

Hai is dismayed at the barren sight of the place and the tents being erected for shelter. She thinks, “Like Di, I too was tired of moving—tired of breaking bridges each time and leaving pieces of my heart with people whom I would never see again” (272). The family has their own tent and small rations, but Mom shares what they have with others, just as she did in Zhucheng. In return, others help them.

Di and Hai forage for fever vine to supplement the rice and fantasize about catching a boar and having pork to eat. Biao-Wu joins the camp as well. Hai doesn’t really believe she’ll catch a boar but believes she “needed [to have] something to work toward, something that [she] could control” (281). Lan learns to walk, though limping, and Hai thinks of her as having the strength of Shandong wheat and the resilience of Northern flowers.

Part 3, Chapter 29 Summary: “Golden Tickets”

Biao-Wu turns down an opportunity to go to Taiwan. He hopes in time to return to the mainland to find his mother. Around the time of the Mid-Autumn Festival, Mom gets their entry tickets. Hai feels numb; she didn’t expect this to happen. To Hai, “Father was a nebulous entity, more of a concept than an actual person” (285). They say goodbye to their friends and take a truck to the harbor.

Part 3 Analysis

The change in setting once again introduces new aspects of survival skills and adaptability. Hong Kong represents a new type of authority over the protagonists. In Zhucheng, their authorities were the Ang family and, further above them, the Nationalist government. In Qingdao, they witnessed the defeat of the Nationalist government and takeover by the Communist Party. Hong Kong is foreign in that it is a colony run by the British government, and the language and culture are Cantonese rather than Shandongese, the dialect of their province. Geographically the furthest they have been from their former home, Hong Kong in some ways provides the strangest of their accommodations, consigning the family to refugee camps. Nevertheless, it is also the place where all the family members begin to feel a new authority over their own lives, a new independence, and almost a sense of safety, despite their make-shift accommodations.

In Hong Kong the characters also undertake Self-Preservation Through Community. In Qingdao, they reached out to family members for shelter and aid; in Hong Kong, they build their own community of fellow Northerners. Whereas in Qingdao they fought for every morsel they could find, in the resettlement camp at Rennie’s Mill, Mom is once again able to show charity to others in need. This kindness is a hallmark of her character but also adds to their sense of community, as others return favors as they can. In contrast to the family that abandoned her in a spacious and expensively furnished home, the community at Mount Davis and Rennie’s Mill befriends Hai’s mother and looks out for her. The voluntary community’s help and support, which is rooted in respect and affection, contrasts with the support of family members like Uncle Sen and Cousin Wei, who provided help out of a sense of obligation. These communal experiences challenge the characters’ traditional notions of familial ties and loyalty.

It is in this marginalized space of Hong Kong that each of the Ang women begins to test her own independence and embraces Adapting as Survival Strategy. Mom finds work in a match factory that, while physically taxing, provides an income, offering her a way to provide for her family and defining her value apart from her marital or parental status. Di befriends restaurant owners and takes an interest in the business. Of all the Angs, it is Di who finds the most freedom in this world, seeing new opportunities arising after everything old and familiar is taken away. Di has always demonstrated the least need for attention or nurturing from her family, and her experiences as a refugee provide further outlets for her burgeoning sense of independence.

Even Lan learns to walk, in her own fashion, which shows that she, too, is experiencing increased strength and mobility (See: Symbols & Motifs). The return of the imagery from the Prologue, “the wheat that burst through Shandong soil, and the Northern flowers that bloomed in snow” (281), used here to describe Lan, furthers the themes of survival and resilience. Hai also undergoes an important moment in her character growth when she starts her own business venture, using her skill at calligraphy. The scene where she buys her family food to celebrate shows her pride and happiness at being able to nourish them. In this new culture where traditional gendered expectations on women to be silent, subservient, and demure are in direct opposition to their ability to survive, Hai is liberated. She can pursue her own avenues toward self-preservation, which are linked to ensuring the survival of her family as well.

The importance of family ties and The Demands of Family Duty are also reinforced by characters like Mr. Chong and Biao-Wu, both of whom offer examples of wishing to reunite with their families. Their love for their families forms a significant contrast to Hai’s experience with her father, who does not demonstrate the same eagerness to reunite with his wife and daughters. It is Uncle Jian who offers to gain the women entry permits and who initiates the process of application. The person who, by custom and obligation, should be working hardest for them—their husband and father—is silent and inert, while his mother actively tries to sever the ties, showing the least amount of obligation or human kindness. The family fracture makes a family reunion a more emotionally ambiguous prospect, creating suspense as the narrative turns to the story’s concluding setting of Taiwan.

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